"My work documents the complex ways that human beings struggle to affirm their dignity and integrity when political and historical circumstances conspire to negate them. My goal is not only to make art, but to use art to harness the power of the senses for the well-being of people, and to bring change." |
Bruno shapes poetic meditations on political struggles with the aim of evoking felt responseand action. Having served as an international relief worker in Southeast Asia during the past twenty years, she understands what it means to be a witness as both an activist and an artist. Whether focusing on the experiences of incarcerated Tibetan Buddhist nuns, on young prostitutes along the Thai-Burmese border, or on a Cambodia destroyed by the Khmer Rouge, Bruno draws upon experimental and documentary techniques, (non-linear narrative, slow motion, repetition of key images, interviews and re-enactments), in the service of searing, non-literal testimony. |
The greatest danger is believing there is a right way to make a film. Dont get lost in imagining what a viewer wants to see. Look back at yourself. Pay close attention to your own experience. What is alive when you look through the viewfinder? What moves in you to put this sound with that image? Trust that alone. And always move in the direction of fear. The deepest truth is not far behind fear. Feel no need to justify your choices with language. This process is beyond language...in a more intuitive, complex place. |
Born
1957, Bristol, Rhode Island Lives in San Francisco 1990 M.A., Documentary Film, Stanford University, Palo Alto, California 1979 B.A., Georgetown University, Washington, D.C. |
1998 | Sacrifice: The Story of Child Prostitutes from Burma | |
1995 | Blessed | |
1993 | Satya: A Prayer for the Enemy | |
1990 | Samsara: Death and Rebirth in Cambodia | |
1987 | No Fairy Tale | |
1986 | Maime | |
1984 | House of the Spirit: Perspectives on Cambodian Health Care |
1998 | John Simon Guggenheim Memorial Foundation Fellowship | |
1997 | Rockefeller Fellowship for Intercultural Film | |
1996 | Goldie Award, Outstanding Local Artist, San Francisco | |
1995 | Shenkin Fellowship, Yale School of Art | |
1992,
94, 97 |
Western States Regional Media Arts Fellowship |
Special Jury Award | Sundance Film Festival | |
Golden Spire Award | San Francisco Film Festival | |
Grand Prize | Religion Today Festival, Trento, Italy | |
Best of Festival | National Educational Film Festival | |
Jury Award | Oberhausen Film Festival, Germany | |
Best Documentary | Silence Elles Tournent, Canada | |
Silver Award | St. Petersburg Film Festival, Russia | |
Crystal Heart Award | Heartland Film Festival | |
Edward R. Murrow Award | American Film and Video Festival | |
Best Documentary | Focus Awards | |
Student Academy Award | Academy of Motion Picture Arts and Sciences | |
Student Emmy | Academy of Television Arts and Sciences | |
Ashai Shinbu Award | Hiroshima International Film Festival, Japan |
2001 | National Endowment for the Arts | |
2000,
96, 93 |
Paul Robeson Fund | |
1998 | Rockefeller Foundation | |
1997 | Soros Documentary Fund | |
1997
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National Asian American Telecommunications Association |
www.brunofilms.com |