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Ethics, god,
idealism, national identity, the elusiveness of faith. How
we shape our mythos and our romantic notions. With a virtuosic
command of gesture, language, and song, writer, composer,
librettist, musician, performer, and director, total theatre
artist Rinde Eckert moves beyond the boundariesof what a 'play,'
a 'dance piece,' an 'opera' or 'musical' might be, in the
service of grappling with complex issues. Eckert makes solo
work, chamber pieces, and through-composed operas with larger
casts, and has long collaborated with other art makers including
choreographer Margaret Jenkins, composers Steven Mackey and
Paul Dresher, directors Robert Woodruff and David Schweizer,
and the new music ensemble, Eighth Blackbird. Building a link
between ideas and people, as between theatre and science,
he's even bringing together a university drama department
and medical school. Thinkers and writers, including W.B. Yeats,
Dante, Homer, and theologian Reinhold Niebuhr, frequently
inspire Eckert's musical and literary motifs. Studying Melville's
Moby Dick led to his best-known work, And God
Created Great Whales. And who peoples his work? A composer
trying to write an opera while losing his memory. A man who
commits suicide sailing solo around the world. A Mafia accountant
with a change of heart. Eckert describes many of his characters
as "little men with big ideas whose consequences of their
hubris are often disastrous." Sometimes tragic and austere,
sometimes broadly comedic, entirely grounded by presence,
Eckert's work is alchemical: moving from rumination and distillation
to hard-won illumination, or its lack.
www.rindeeckert.com
www.OjaiFestival.org
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Born
1951, Mankato, MN
Lives in Nyack, NY
Rinde Eckert, the 2009 recipient
of The Alpert Award in the Arts for his contributions to
Theatre and finalist for the 2007 Pulitzer Prize in Drama,
is a writer, composer, performer and director. His Opera
/ New Music Theatre productions have toured throughout America,
and to major festivals in Europe and Asia.
Eckert’s career began as a writer/performer in the 1980’s,
writing librettos for Paul Dresher (Pioneer, Power Failure,
Slow Fire, Ravenshead). Working subsequently with choreographers
Margaret Jenkins and Sarah Shelton Mann, he began composing
dance scores, including the evening-length Woman, Window,
Square for The Margaret Jenkins Dance Company. Eckert began
composing and performing his own music/theater pieces with
The Gardening of Thomas D, his 1992 homage to Dante which
was performed on tour in the United States and France. His
staged works for solo performer include An Idiot Divine,
Romeo Sierra Tango and Quit This House. He wrote Shoot the
Moving Things and Four Songs Lost in a Wall for radio. Rinde
Eckert’s recent writing credits include Horizon (2007-08
Drama Desk Nominations: Best Play and Best Director, Lucille
Lortel Award: "Unique Theatrical Experience"); Orpheus X
(Pulitzer Prize nomination); Highway Ulysses and Four Songs
Lost in a Wall (The American Academy of Arts and Letters
2005 Marc Blitzstein Award); And God Created Great Whales
(OBIE Award: Best Performance, Drama Desk Nomination: "Unique
Theatrical Experience"); and the two, one-act plays An Idiot
Divine.
His work for the theater has been produced by American
Repertory Theatre, The Foundry Theatre, Culture Project,
Center Stage in Baltimore, Dobama Theatre Company and Berkeley
Repertory Theater. Tony Taccone, Robert Woodruff, David
Schweizer, Richard ET White and Ellen McLaughlin have directed
his plays. Rinde Eckert has directed his own and others’
plays and operas for The Asia Society, Juggernaut Theater,
Opera Piccola and the Paul Dresher Ensemble.
Current writing and directing
projects include: The Schick Machine with virtuoso percussionist
Steven Schick in a solo-theater work composed/produced by
Paul Dresher; Slide with composer/guitarist Steven Mackey
and eighth blackbird debuts in June 2009 at the Ojai Festival
and will tour nationally in 2010; and Imaginary City with
So Percussion debuts in Fall 2009 at the Brooklyn Academy
of Music. Previous new music collaborations include Sound
Stage for the ensemble Zeitgeist, and Steven Mackey’s oratorio
Dream House. Mackey and Eckert are members of BIG FARM, the
4-person ‘prog-rock’ band. Rinde Eckert’s uniquely eclectic
music is available on the Intuition label in Germany and through
Songline/Tonefield Productions. The critically acclaimed Sandhills
Reunion (music by Jerry Granelli, text by Eckert) was released
in 2005. Following his success teaching a course in creativity
at Princeton University in 2007, Eckert begins a 3-year residency
in Spring 2009. He was the 2008 Granada Artist-in-Residence
at the University of California at Davis Department of Theater
and Dance where he wrote and directed Fate and Spinoza, and
is currently in partnership with the University of Iowa to
create, direct and perform in Eye Piece, a play exploring
the loss of vision. Rinde Eckert lives in New York with his
wife, Ellen McLaughlin, the playwright and actress.
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